"If You Don't Close That Door, I'm Going to Keep Thinking You're a Tourist"
The rain didn't just fall; it dismantled the city, turning the limestone facades into something slick and treacherous, much like the look in her eyes when her husband left the room.
22 min read·4,211 words·5 views
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May 12th
I’ve always said that Paris in the rain is a cliché for people who haven't actually had to walk through it. It’s not a movie set. It’s a swamp of wet wool, diesel fumes, and that specific, metallic scent of wet zinc roofs that reminds me of the lead pipes in the old Sacramento bureau office. I’m here to ghostwrite the memoirs of Henri Vaugrenard—a man who managed to survive three different French administrations and two major corruption scandals before the public finally decided they’d had enough of his particular brand of charm.
He lives in the 6th, in an apartment that costs more per square meter than I made in my entire first year at the Bee. And he has a wife.
I met her today. Her name is Camille.
If you’re reading this, you probably want me to tell you she was wearing something lacey and French. She wasn't. She was wearing a grey cashmere sweater that looked like it had been stolen from a man much larger than her, and her hair was tied back with the kind of efficiency a prosecutor uses to file a motion. But she looked at me—truly looked at me—and I felt that familiar, heavy thrum in the base of my spine. It’s the feeling I used to get right before a source would spill a secret they knew would ruin them.
She has these eyes that are the color of the Pacific on a cloudy day in Big Sur—not blue, not grey, but something deep and restless. When Henri introduced us, he kept his hand on her shoulder like she was a piece of inherited furniture. He’s seventy. She’s maybe thirty-four.
"The American journalist," she said. Her English is better than mine, actually. It has this slight, sharp edge to it, like a paper cut from a fresh manila folder.
"The Californian," I corrected.
She smiled then. It wasn't a nice smile. It was a challenge. And since I’m sitting here in this drafty hotel room, drinking shitty minibar cognac and writing this down instead of sleeping, I think we both know I’m going to take it.
May 14th
Working with Henri is like trying to interview a sundial. He only tells you what he wants you to see when the light is hitting him exactly right. He spends four hours explaining the nuances of the 1994 trade agreement, and I spend four hours watching Camille move through the periphery of the room.
She doesn't walk; she stalks. She’s constantly checking the time, or looking out at the rain, or adjusted the flowers in a vase with a violence that borders on the erotic. Today, Henri went into the kitchen to yell at the housekeeper about the temperature of the espresso, leaving us alone for exactly ninety seconds.
I was sitting on the leather sofa, my digital recorder blinking a steady red 'REC' between us.
"You're bored," she said. She was standing by the window, the grey light silhouetting the shape of her legs through her silk trousers.
"I'm paid to be bored," I told her. "It’s a specialized skill."
"Is it? In California, do they pay men to sit and listen to old men lie about their legacies?"
"In California, we call that a Wednesday. But usually, there’s better coffee."
She walked over to me. This was the moment. The air in the room didn't just change; it solidified. It felt like the pressure in a pressurized cabin right before the door blows. She leaned down, her face inches from mine, and I could smell her. She didn't smell like perfume. She smelled like rain and cedarwood and that very specific, expensive soap that smells like nothing and everything at once.
"He’s lying about the 1994 agreement," she whispered. Her breath hit the side of my neck, and I felt my skin prickle as if I’d just stepped out of a hot shower into a draft. "He was in Cannes that week with a woman who wasn't me."
"Why are you telling me?" I asked. My voice sounded like it had been dragged through a gravel pit.
"Because you're a journalist. You’re supposed to like the truth, aren't you? Or do you only like the stories that pay?"
I reached out. I didn't mean to, or maybe I did. I’m a professional, but I’ve always had a weakness for a hostile witness. I let my fingers brush the back of her hand where it rested on the arm of the sofa. Her skin was hot. Feverishly hot.
She didn't pull away. She leaned closer, her lips almost touching my ear.
"If you don't close that door, I'm going to keep thinking you're a tourist," she said.
Then Henri came back in, complaining about the foam on his macchiato, and the world snapped back into its dull, grey focus. But I haven't been able to stop thinking about the way she looked at my hand. She didn't look disgusted. She looked hungry.
May 18th
The tension is getting ridiculous. It’s like a deadline you know you’re going to miss, that low-grade panic that lives in your stomach and makes everything taste like copper.
We’ve developed a shorthand. While Henri drones on about the intricacies of French bureaucracy, Camille and I conduct a completely different conversation with our eyes. It’s a deposition without a court reporter. Every time she crosses her legs, the soft rustle of her stockings sounds louder than Henri’s voice. Every time I ask a follow-up question, she watches my mouth as if she’s trying to transcribe the words.
Today, the rain was particularly brutal—a real California-style downpour that turned the streets into rivers. Henri had to leave for a meeting with his lawyers. He looked at me, then at Camille, and told her to make sure I didn't steal the silver.
"He thinks he’s funny," she said once the heavy oak door clicked shut.
"I think he’s arrogant," I said, standing up and stretching. My back was aching from the stiff sofa.
She walked toward me, and this time, there was no hesitation. She didn't stop until she was inside my personal space, the kind of distance you only keep with someone you're about to fight or fuck. She reached out and straightened my collar. Her fingers were cold this time, but they burned where they touched the skin of my neck.
"You’re not like the others he hires," she said. "They are all so... eager. You look like you're waiting for the building to catch fire so you can be the first one to report on the blaze."
"I prefer being in the fire to reporting on it," I said.
I looked down at her mouth. It was a wide, expressive mouth, currently twisted into a smirk that made me want to do something very unprofessional. I’m thirty-five years old. I’ve covered riots and elections and the kind of human misery that makes you numb to everything. But looking at her, I felt like I was twenty again, back in that dive bar in Fresno, wondering if the girl in the booth would let me take her home.
She saw it. She saw the shift in me. She reached down and took my hand, leading me toward the back of the apartment.
"The library is better for talking," she said.
We didn't talk.
As soon as the library door closed, she pushed me against it. The wood was cold and hard against my spine. She didn't wait for me to move. She grabbed the front of my shirt and pulled me down, her mouth slamming into mine with a desperation that was almost violent.
It wasn't a 'literary' kiss. There was no poetry in it. It was teeth and tongue and the sound of our breathing, ragged and sharp in the quiet room. She tasted like the dark chocolate she’d been eating earlier and the sharp, acidic tang of white wine. I grabbed her waist, my hands sinking into the soft cashmere of her sweater, and pulled her flush against me.
She groaned into my mouth, a low, guttural sound that made my blood pressure spike. She was grinding her hips against mine, and I could feel the hardness of my own desire through my jeans, pressing into the soft junction of her thighs.
"Camille," I breathed against her neck, my nose buried in the scent of her skin.
"Shut up," she hissed, her hands fumbling with my belt. "Just... shut up and do it."
We didn't get further than that because we heard the front door open. Henri had forgotten his briefcase.
We spent the next hour sitting in the library, me pretend-reading a first edition of Flaubert and her looking at a ledger, both of us vibrating with enough nervous energy to power the entire 6th arrondissement. My heart didn't slow down until I was back in my hotel.
I’m writing this with hands that are still shaking. I’m a dead man. I know I’m a dead man. If Henri finds out, my career is over. I’ll be back to covering school board meetings in Tulare.
And yet, all I can think about is the way she felt against that door.
May 20th
I’m skipping the details of the 'work' part of the day. It’s irrelevant. Henri is a bore. The only thing that matters is that today, he’s going to Versailles for a gala. He won't be back until tomorrow morning.
I’m supposed to be at the apartment at 2 PM to 'organize the archives.'
I bought a bottle of decent bourbon on the way over. It felt more like me than the wine.
When I arrived, the rain had settled into a steady, rhythmic thrum against the windows. It’s a lonely sound, the kind of sound that makes you want to find the nearest warm body and stay there until the sun comes out. Camille opened the door. She was wearing a dress this time—something dark green and silk that looked like it would slide off her skin if I breathed on it too hard.
"You're early," she said.
"I’m a journalist. We’re always early for the bad news."
She looked at the bottle in my hand and raised an eyebrow. "Bourbon?"
"It’s from California. A little taste of home for the road."
She took the bottle from me, her fingers lingering on mine, and led me into the library. The room was dim, lit only by a few lamps and the grey light filtering through the rain-streaked glass. She poured two glasses, neat, and handed one to me.
We stood there for a long time, just drinking and watching the rain. The silence wasn't awkward; it was heavy. It was the kind of silence that precedes a verdict.
"Do you think you’re a good man, Julian?" she asked, her voice low.
"I think I’m a man who knows how to tell a story," I said. "Good doesn't really enter into it."
"Good," she said, putting her glass down on the mahogany table. "Because I don't want a good man today."
She walked over to me and took my glass, setting it down next to hers. Then she reached out and took my face in both of her hands. Her palms were warm now, and her eyes were searching mine, looking for something—permission, maybe, or just a confirmation of the disaster we were about to create.
I didn't give her a choice. I picked her up, her legs instantly wrapping around my waist, her silk dress bunching up around her hips. I carried her to the large, leather-topped desk—Henri’s desk—and cleared a space with one sweep of my arm, knocking a stack of files and a fountain pen to the floor.
I set her down on the edge of the desk. The silk of her dress was slick under my hands. I moved between her legs, my heart thumping against my ribs like a trapped bird.
"This is a bad idea," I muttered, even as I leaned in to kiss the line of her jaw.
"The worst," she agreed, her breath hitching as I bit softly at the sensitive skin just below her ear.
I reached down and found the hem of her dress, sliding my hands up her thighs. She was wearing stockings held up by a garter belt, the lace rough against the pads of my fingers. The contrast between the cool silk of her dress and the hot, smooth skin of her inner thighs was enough to make my head swim.
She let out a long, shaky breath as my fingers moved higher, finding the damp heat between her legs. She wasn't wearing underwear. The discovery hit me like a physical blow. She was already wet, a slick, honey-like heat that coated my fingers as I touched her.
"Camille," I groaned, my forehead resting against hers.
She didn't answer with words. She arched her back, her chest pressing against mine, and began to move her hips against my hand. I found her clit, a small, hard bud of sensation buried in the folds of her skin, and began to circle it with my thumb.
She fell apart almost instantly. Her head dropped back, her throat a long, pale arc in the dim light. She made a sound that I’ll never forget—a high, keening moan that seemed to vibrate through the very wood of the desk.
"Please," she whispered, her hands clutching at my shoulders, her nails digging into the fabric of my shirt. "Please, Julian. Now."
I stripped off my clothes with a frantic energy I didn't know I possessed. I wanted to be careful, to be slow, to savor the 'forbidden' nature of it all, but the animal part of my brain had taken over. I needed to be inside her. I needed to claim this space that belonged to a man I despised.
I kicked my pants away and stepped back to her. She looked at me, her eyes wide and dark with desire. She reached out and took me in her hand, her fingers sliding along the length of me, testing the weight and the heat. I let out a choked sound and closed my eyes, my entire body tensing at her touch.
"You're so big," she whispered, a small, wicked smile playing on her lips. "And so hard. I think the American bourbon agrees with you."
I laughed, a short, breathless sound, and then I leaned forward, gripping her hips and pulling her to the very edge of the desk. I guided myself to her opening, the wet, inviting heat of her body ready for me.
I entered her in one long, slow push.
It felt like coming home. Not to a house, but to a feeling—the feeling of finally getting the truth after a thousand lies. She was tight, her body stretching to accommodate me, her muscles clenching around me in a rhythmic, welcoming pulse.
We both stayed still for a moment, just breathing, letting the sensation of being joined settle over us. The only sound was the rain and the frantic ticking of a grandfather clock in the corner.
Then I started to move.
I kept it slow at first, pulling out until I was almost gone and then sliding back in, deep enough to feel the bottom of her. She wrapped her arms around my neck, her legs locked around my waist, pulling me closer with every stroke.
"God, Julian," she gasped into my ear, her voice breaking. "You... you don't know... how long..."
"I know," I said, my voice thick. "I know."
I picked up the pace, the sound of our bodies meeting—a wet, rhythmic slapping—filling the small gaps in the silence. I watched her face, the way her features softened and then tightened with pleasure, the way her eyes stayed locked on mine even as she drifted away into the sensation.
I shifted my grip, sliding my hands under her ass to lift her higher, changing the angle so I could hit her deeper. She cried out, a loud, unabashed sound that would have terrified me an hour ago, but now it just fueled me. I was buried in her, lost in the scent of her and the heat of her and the knowledge that we were doing something that could ruin us both.
It made it hotter. The danger was a physical presence in the room, a third party watching us from the shadows. Every thrust felt like a middle finger to the man who owned this desk, to the city outside, to the rules I’d lived by for thirty-five years.
She began to peak, her internal muscles pulsing around me in sharp, frantic waves. Her breathing became a series of short, sharp gasps, and her eyes rolled back in her head.
"I'm going to... Julian... I'm..."
I didn't let her finish. I leaned forward and kissed her, my tongue echoing the movement of my cock, as I drove into her one last time with everything I had. She exploded against me, her whole body shuddering, her legs tightening around me like a vice.
I followed her a second later. It was a violent, total release, the kind that leaves you feeling hollowed out and brand new at the same time. I came in great, pulsing throbs, filling her, my head buried in the crook of her neck as I rode out the waves of the orgasm.
We stayed like that for a long time, the only movement the slow, heavy rise and fall of our chests. The rain had slowed to a drizzle, the grey light turning to a deep, bruised purple as evening began to settle over Paris.
I eventually pulled out, the sound of it wet and final in the quiet room. I helped her off the desk, her legs shaky as they hit the floor. She looked at the mess we’d made—the scattered files, the spilled bourbon, the rumpled silk of her dress—and she laughed.
It was a beautiful sound. Clear and honest.
"Well," she said, smoothing her hair back with a hand that was still trembling. "I think that’s enough archiving for one day, don't you?"
I looked at her, truly looked at her, and I knew I wasn't going back to California anytime soon.
May 21st
I’m back at the hotel. I should feel guilty. I should be checking the flight schedules. I should be worried about the fact that I just fucked the wife of a man who has ties to the DGSE.
But all I can think about is the way the light looked on her skin right before I left.
She’d stood by the door, the green silk dress hanging a little lopsided on her frame, and she’d given me this look—this knowing, wicked look that told me this wasn't a one-time thing. It was a beginning.
"See you tomorrow, Monsieur Arispe," she’d said, her voice formal for the benefit of the housekeeper who was hovering in the hallway. "I expect you to be very thorough with the next chapter."
I’m going to be very thorough. I’m going to rewrite the whole damn book.
May 24th
The rain has returned. It’s a different kind of rain today—cold and sharp, like a reminder that the world outside this apartment still exists.
Henri is back, but he’s distracted. There’s a new inquiry into his offshore accounts, and he’s spending most of his time on the phone, shouting at people in Brussels. It’s the perfect cover.
Today, we didn't use the library. We used the guest bedroom, a small, sunless room at the end of the hall that smelled of lavender and old paper. It felt more illicit there, away from the grand mahogany and the 'archives.'
She met me there at 3 PM. She didn't say a word. She just walked in, locked the door, and began to unbutton her blouse.
I watched her. I’m a journalist; I’m trained to observe. I noticed the way her fingers fumbled slightly with the third button, a sign of nerves that she tried to hide with a defiant tilt of her chin. I noticed the way the light from the small window caught the curve of her shoulder, making her skin look like polished marble.
When the blouse fell away, she wasn't wearing a bra. Her breasts were small and firm, the nipples already dark and erect from the cold air—or from me. She stepped out of her skirt, standing before me in nothing but her stockings and a pair of black lace panties.
"Do I pass the inspection?" she asked, her voice dripping with that playful malice I’ve come to crave.
"You’re the lead story, Camille. Above the fold."
I moved toward her, stripping off my sweater and tossing it onto a chair. I took her in my arms, my skin humming as it met hers. We moved to the bed—a narrow, firm thing that creaked under our combined weight.
This time, it wasn't a frantic rush. We had time. Or we made time.
I spent an hour just exploring her. I used my mouth to map every inch of her, from the hollow of her throat to the soft, sensitive skin on the inside of her wrists. I tasted the salt on her skin and the lingering sweetness of the perfume she’d applied behind her knees.
When I moved between her legs, she let out a long, shuddering sigh, her fingers tangling in my hair.
"Julian... please..."
I didn't listen. I wanted her to wait. I wanted to see how much she could take before she broke. I used my tongue to tease her, circling her clit with a light, flicking motion that made her hips buck off the mattress. I slid two fingers inside her, feeling the way her body gripped them, the wetness overflowing and coating my hand.
She was vocal this time, a running commentary of moans and whispered French commands that I didn't need to translate to understand. She wanted more. She wanted everything.
I finally gave in, crawling up her body to look her in the eye as I entered her. She was so wet I slid in with almost no resistance, the friction creating a heat that felt like it was melting us together.
We moved with a slow, deliberate rhythm, a conversation of skin and bone. I watched her face as I moved, seeing the way she lost herself, the way the 'Camille' the world knew—the cold, elegant wife of a politician—melted away to reveal the woman underneath. She was raw and hungry and beautiful.
I pushed her legs up over my shoulders, opening her up even more, driving into her with a depth that made her gasp for air. I felt every ripple of her pleasure, every contraction of her muscles as she climbed toward the edge.
"Look at me," I whispered, my voice a command.
She opened her eyes, her pupils blown wide, and we stayed locked together as the climax took us both. It was slower this time, a long, rolling wave of sensation that seemed to go on forever. I felt her heart beating against mine, a frantic, irregular rhythm that matched the rain on the roof.
Afterward, we lay in the dim light, tangled in the sheets.
"He’s going to lose everything, you know," she said suddenly, her voice flat.
"Henri?"
"The inquiry. They have the records from the Swiss bank. It’s over for him."
I shifted so I could see her face. "What does that mean for you?"
She shrugged, a small, elegant movement. "It means I’m free. Or I’m a pariah. In Paris, they are often the same thing."
She turned to me, her eyes searching mine. "What would you do if I came to California, Julian? Would you show me the fires?"
I reached out and traced the line of her cheek. "I’d show you the ocean. It’s better for people who are starting over."
May 28th
The memoir is finished. Or as finished as it’s ever going to be. Henri is too busy with his legal defense to care about his 'legacy' anymore. I’m supposed to fly back to San Francisco tomorrow.
I have my ticket. I have my bags packed.
But I also have a key.
It’s a small, brass key to an apartment in Le Marais—a place Camille kept secret from her husband. A place where she’s waiting for me now.
I think about my life in California. The dry heat, the endless sprawl, the way the light always feels too bright and too honest. I think about the stories I’ve written and the ones I’ve buried.
Then I think about the way the rain sounds in the 6th arrondissement. I think about the scent of cedarwood and the feeling of a silk dress sliding through my fingers.
I’m a journalist. I know a good ending when I see one.
But I also know that the best stories are the ones that don't end at all. They just change.
I’m going to Le Marais.
And if I never make it back to California, tell them I finally found a story that was worth the risk of a front-page scandal.
Tell them the rain was beautiful.